Koelle Illustrations

For my next project, I will be working on digitizing a series of illustrations/etchings from Chris Koelle of Portland Studios. This is my second collaboration with Portland, and I was lucky to go to college with these talented illustrators. Our first collaboration resulted in the inky and playful script Blue Goblet. Chris has a unique style where he “frames” his work with small icons related to the story or subject. Recently, the guys at Portland Studios have been commissioned to create some Christian themed art that is available for purchase, and you can see an example of Chris's style on 12stoneart.

These illustrations are so detailed, when I try to compile the font as OpenType FontLab crashes! Thankfully, TrueType has no such problem, and both Macs and PCs can use the format. To give you a taste of what is to come, here are a few of my favorite “icons” that will be available in dingbat-like format. Some of them have a Christian theme, and some are more generic so I will be separating the two into their own typefaces. The Christian themed one should come in handy for church groups, and as you can see the generic ones work great just standing alone.

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Microsoft Expression

I have been trying out the Microsoft Expression web design program recently. My final verdict: I like it better than Dreamweaver. I’ve been using Dreamweaver for 5 years now, but where Expressions really shines is its handling of CSS, which is, in my mind, quite a bit better than Dreamweaver. My “problem” with CSS as opposed to tables is that with tables you can visualize what you are doing. CSS is a bit more programmatic. Expression helps a bit. If you are looking to save some money, and you use a PC, you should download Visual Web Developer. You can do some very advanced stuff with this program, and the interface is very much like Expressions. The price is right: free! However, Expression is more intuitive in how it handles CSS. It’s very interesting how Microsoft is starting to head into Adobe’s turf. Microsoft is working on equivalents to everything in Adobe’s product line. My long term bet is on Microsoft.

Carta Marina

Carta Marina is based on the titling found on the famous map drawn by Olaus Magnus in 1539. The map of northern Europe took 12 years to complete, and the total size is a huge 1.7 meters tall by 1.25 meters wide. More information about the map, as well as the high resolution reference document used to create the typeface and illustration set can be found at the James Ford Bell Library, University of Minnesota. The titling is slightly aged, very sturdy and elegant. Carta Marina includes a full set of OpenType alternates for every character in the English alphabet, oldstyle figures, historical forms, small caps and 64 discretionary ligatures. These ligatures are used to alter the appearance of the type so that the printing appears realistic and without any duplicate letters to detract from the antique appearance. The Carta Marina family also includes some of the unique illustrations that give the map much of its character. It includes depictions of fanciful sea creatures, land animals a

New from insigne: Mynaruse

Mynaruse is an elegant and regal roman inscriptional titling family. It has sharp and elongated serifs that give the face extra punch. The face shines in settings that call for elegance and splendor. Mynaruse’s six weights range from a fine, delicate thin to a powerful and solid heavy weight. Mynaruse includes many useful OpenType features, including a set of swash alternates, alternate titling forms, ligatures and miscellaneous alternates. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Mynaruse is 1/3rd off for a limited time!

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