Twitteroundup! Week 34

Interesting

Luscher Color Diagnostik personality test. So accurate, I can't share the results. More info. via @Wiltonfoundry

Design and Inspiration

Mini-Luxury Living: 10 Small Homes Built on Tiny Islands via @dornobdesign

Peter de Sève now has a blog! via @corygodbey

Saving my pocket change for this baby: Pershing 90 Yacht. Wow.

1950's Sci-Fi Magazine Covers.

15 Stunning Examples of Data Visualization via @theroxor, @Minervity, @buysellads:

Ran across http://www.designhistory.org/ Great Articles.

Old vs new: great logo redesigns. via @TheRoxor

insigne Announcements

Very excited about this: Aviano Didone on Typography Served!

Working on an update for Chennai. It's been on an uptick of late. Two new weights planned and a rounded slab extension.

Just fired off Sommet Rounded for the Modern Cyrillic competition.

See what insigne fonts will be available for free and subscription use on websites through Typekit!

New Sans Serif, Sovba. Critique in Progress at Typophile. Slice and Dice!

Tech

Link your Facebook Page to Twitter with a Facebook App.

Illustrator circa 1963. via @swissmiss

Funny AE bug reports via @brampitoyo

Wondered if it were possible, then confirmed it. You can set Google Alerts to go to Google Reader now!

Google Hot Trends. Updated Hourly.

Men prefer websites designed by men and vice versa, Men, Women's preferences poles apart. Via @CastleType

Easy, Fast & Cheap DIY Process to Compost Plastic via @webecoist.

Humor

Snicker! T and G are too close together on a keyboard. I will never end a work email with "Regards" ever again. via @LogoMotives, @bluehaus

Comments

Guerilla Marketing

Just recently, I was wondering why we don’t see more of... ...this... ...this... ...this... ...this... and this here in the states. Yes, guerilla marketing. As you can see, all of these images don’t have their point of origin here in the USA. Then, I got my answer . Seriously, when looking at few of these campaigns, although they are clever and probably very effective, some of them seem destructive and disruptive. I think that American advertisers recognize this, and understood that American culture doesn’t have time or allow disruptions or annoyances, making it a tactic that is rarely used stateside. There are also probably some legal, or rather enforcement reasons that make it more common overseas. Any other thoughts? Everything with the exception of AXE via adgoodness . AXE via ibeliveinadv .

Mandrel Didone is not weak in the face of adversity.

A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step. But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents' clumsy clutter in the battle for the reader's attention. This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family's 500 glyphs and support for more than 70 languages

Balance friendliness and elegance with the look of Cabrito Contrast.

The Cabrito family is back again to make a statement. Released as a complement to the children's book, The Clothes Letters Wear , the original Cabrito is light-hearted, fun, and easy to read. Now, balancing this friendliness with a new elegance, Cabrito Contrast steps forward--a handsome typeface with an extra-sophisticated sensibility injected into the design. Still bright and playful in its Cabrito ancestry, this new Cabrito member approaches the field with a cleaner, more reductionist form, ensuring that its polished look retains the readability. Regular features and Italic forms of the 54 fonts include upright alternates, ligatures, and old figures. A range of weights include extended and condensed variants. To preview any of these interactive features, see the PDF manual. The family also includes language support for 72 Latin-based languages, and there are over 600 glyphs for further refining your work. Cabrito Contrast is best

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