Skip to main content

A sight of stability and grace, Mr. Darcy is greatly enabled to lead your work.









Only occasionally are we graced with a font so pleasant and enjoyable to our company as the wonderfully amiable Mr. Darcy. Even the most casual study of the face conveys to the reader a character not refined overnight but through careful trial and concentrated effort. The gentlemanly elegance of this yet contemporary font so easily calls to mind such Victorian estates that one imagines in many a classic of Ms. Austin or Ms. Eyre.

The elegant and very graceful Mr. Darcy is sufficiently compete with its additional characters--to be stated more precisely, over 136 defining alternates. These optional features are carefully displayed within the supplied brochure.

The employ of the Mr. Darcy family moreover demands that you see to the matters found in the User’s Guideline for all OpenType options and that you employ a program such as Adobe Illustrator, Adobe InDesign, Adobe PhotoShop, CorelDRAW, or Quark that supports OpenType features. Such OpenType options exist to help you develop and display your vision uniquely. It should be noted as well that Mr. Darcy with its five distinct weights offers you the versatility of character as possessed only by a refined gentleman.

A sight of stability and grace, Mr. Darcy is greatly enabled to lead your work as it dances airily in good humor across the page. One should not be so sorry to make himself more acquainted with this face and even to engage it in further matters of business in the future, thereby finding himself at so happy an end of satisfaction and success.


Comments

Popular posts from this blog

Guerilla Marketing

Just recently, I was wondering why we don’t see more of... ...this... ...this... ...this... ...this... and this here in the states. Yes, guerilla marketing. As you can see, all of these images don’t have their point of origin here in the USA. Then, I got my answer . Seriously, when looking at few of these campaigns, although they are clever and probably very effective, some of them seem destructive and disruptive. I think that American advertisers recognize this, and understood that American culture doesn’t have time or allow disruptions or annoyances, making it a tactic that is rarely used stateside. There are also probably some legal, or rather enforcement reasons that make it more common overseas. Any other thoughts? Everything with the exception of AXE via adgoodness . AXE via ibeliveinadv .

DevChatt

I had the chance to talk to a group of developers at DevChatt 11. I spoke on webfonts. The talk was recorded, so hopefully I can put the audio up soon. The presentation is available here: I am very happy about my move to Chattanooga (in addition to moving here to be with my wife). There are some tremendous things happening, and a very strong entrepreneurial spirit abounds. After attending DevChatt, I was inspired to brush off a few business ideas and I hope to develop these further. One is related to my core competency, typography, while the other is in a totally different field. I was also inspired by listening to Ale Paul and Luc De Groot in New York City this past week. Here are a few links to some inspiring local organizations: DevChatt CreateHere costarters.co Chattarati colab.is

Mandrel Didone is not weak in the face of adversity.

A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step. But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents' clumsy clutter in the battle for the reader's attention. This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family's 500 glyphs and support for more than 70 languages